1827 | Nicéphore Niépce | Photo from camera+lens |
1839 | Sir John Herschel | Prints/fixing |
1839 | Mungo Ponton | Potassium dichromate |
1840 | Edmond Becquerel | (builds on Ponton) |
1852 | William Henry Fox Talbot | Dichromated gelatine |
1855 | Alphonse Poitevin | Printing (à la carbon) |
1855 | James Clerk Maxwell | 3-color process |
1861 | Maxwell/Thomas Sutton | 1st color photo |
1863 | Joseph Wilson Swan | Carbon as we know it |
… | [lots of people] | [process remains unchanged] |
< ~ 1960 | [lots of businesses] | [patents/lawsuits] |
… | ||
1993 | Charles Berger | UltraStable process |
? | ? | ? |
Sir John Herschel (1867)
Charles Darwin (1868)
Silver gelatine negative (slice, side view)
Transmission density profile:
A mixture of:
i.e. the "photosensitive paper"
Neg + tissue sandwich exposed to UV
(contact printing only; no enlargement)
The exposed parts have hardened (top-down according to common lore)
The exposed tissue (flipped) is mated with a final paper support
Tissue/paper sandwich plunged in hot (40C) water
The tissue support is peeled away
The non-hardened glop melts away
The hardened part adheres to the final paper support
The result is hardened gelatine with embedded ink,
on an archival paper support
producing the final photographic image
A more advanced method making use of multiple transfers onto a temporary support
Enables:
Carbon transfer is perhaps the most
finicky traditional photographic process
My objective: to understand
the "microscopics" of the process
In aqueous solution, newtral pH:
Glycine zwitterion
Potassium dichromate
Disodium 4,4'-diazidostilbene-2,2'-disulfonate tetrahydrate
C14H16N6Na2O10S2Use for carbon transfer:
Charles Berger, Richard Kauffman
(1993, UltraStable process)
Further links: gelatine, cross-linking, organic azides etc
Step-growth or chain-growth?
Physical properties as function of degree of hardening?
Any help or suggestion welcome!
THANKS FOR YOUR ATTENTION!